The DVD packer, January 2011.

Light captured across stone balustrade, National Gallery, October 2010

photo Tim Lewis

Autumn approaching in the garden, changing season in the air and underfoot, October 2010

photo Tim Lewis

Polite notice with directions, Covent Garden, October 2010

photo Tim Lewis

Pins on the empty night time market stall, Covent Garden, October 2010

Daybreak Field of Corn, Dorset, August 2010

photo Tim Lewis

The TV business is uglier than most things. It is normally perceived as some kind of cruel and shallow money trench through the heart of the journalism industry, a long plastic hallway where thieves and pimps run free and good men die like dogs, for no good reason. There’s also a negative side.
Hunter S Thompson, Generation of Swine: Tales of Shame and Degradation in the ’80s

Young girl, Bantu village, Ouessa District, Republic of Congo, April-May 2009

photo Tim Lewis

Elder Mbendjele pygmy, Republic of Congo, April-May 2009

photo Tim Lewis

Mothers and Daughters, Mbendjele forest dwelling community, Ouessa District, Republic of Congo, April-May 2009

photo Tim Lewis

U Win Tin

photograph and copyright James MacKay Enigma Images

Handcrafted Films have just completed a new film for Amnesty International UK about a photo project undertaken by documentary photojournalist James MacKay. It details the continuing plight of political prisoners in Burma and an action Amnesty are planning to help raise attention to the issue. To watch the film please visit us at http://vimeo.com/13275578, to read about James’ work please visit http://www.enigmaimages.net/ and to see Amnesty’s page visit http://www.amnesty.org.uk/content.asp?CategoryID=11849.

River Cess County back to Monrovia. Usually a one day journey over terrible roads became a lot longer when the jeep started to play up on the last day of filming. Water was gushing from the engine. In an opportunistic fashion we went scavenging at every opportunity for spare parts. In places like West Africa lorries, cars, motorcycles and every other mode of mechanised transport are usually driven until they fall apart. Subsequently repaired, then fall apart, then dodgily repaired. This continues until the rusted vehicle literally stops one day and refuses to move again. However this seldom dissuades the ingenuity of the African mechanic. In Ghana I once saw the front of a rusted renault and the back of a crumpled citroen literally stappled together. With Michael, our friendly and laid back driver; and Silas, always filled with laughter and stories; we spent the best part of two days driving slowly - very slowly - back to Monrovia. Despite several attempts at bodging a repair the engine was still losing water at an astonishing rate. Our progress was close to walking speed. We would drive for a mile and a half, then pull over to let the steaming engine cool, fetching water from rivers and streams as we went. Far from inconveniencing us, after all most of the filming had been done, it was a wonderful two days. Every time you stopped you were greeted by a small community, be it a little huddled hamlet of huts or a single farmer and his family. You’d wander down the dirt road with a couple of empty jerry cans banging against your legs, find a bridge made of fallen logs, scramble awkwardly down the bank, accidentally astonish a group of naked boys all lathered in soap and having their evening wash in the stream, fill the jerry cans and return to the guys and our poor broken jeep. As well as the friendly banter between traveller and the local roadside villages our trip to Monrovia was punctuated by the jovial rivalry of our fellow road users. Every vehicle on the road, be it a very old American school bus, its yellow paint streaked with mud and scrapes, crammed private taxis and pick-ups; all seemed to be in a universal state of disrepair. Meaning that as we refilled the engine with murky river water and observed the depressing amount dripping from the cracked metal work, we would be harrassed in a cheery way by our other travellers. There would be a beep of a horn and then alll smiles and waves as they pass us, some shouting “We’ll be in Monrovia before you brother!” A few minutes later we would pass them at our own wobbly snails pace, laughing and teasing them as they leaned over steaming engines or tried to fix a snapped drive shaft, “We’ll see you in Monrovia!” we’d chortle with delight. This would be repeated endlessly throughout the day. We spent that night in Buchanon, a wild west sort of town, much of it devastated during the wars. The hotel we stayed in was rundown and seemed to serve both as a disco and a brothel. But there were cold bottles of beer available - a welcoming sight to the dusty, slightly frazzled traveller. The disco, and what seemed like several raucous wedding parties, went on most of the night and unfortunately made the floor vibrate in my room. Somehow i managed to sleep. On the second day in bright sunlight we stopped for a while by a church in the final stages of decomposition. Walking around we found an old bible in the wooden pulpit. The pulpit sagged and leaned from where ants and termites had been eating away at it. The bible, which seemed to come apart in your hands, was printed in 1974 in Georgia USA. For a while we were the only people there, milling around, exchanging amused looks between us as Michael cautiously unscrewed the radiator cap, then as with so many occasions out in the bush we were soon joined inexplicably by a variety of people who appeared as if from no where. The local pastor and two of his friends, formal but friendly, they sat with us and we talked in the way strangers do, picking at the peeling plaster and kicking idly at stones, sometimes a wistful silence would pass between us and we would in turn grimace into the bright light, looking down along the shimmering empty road. Soon enough the engine had cooled and we refilled the water. Another repair job, this time with a bar of soap and we moved off, through the vast Firestone Rubber Plantation and finally back to Monrovia, where we have a triumphant photograph taken that evening.

Members of the Sustainable Development Institute (SDI) River Cess County, Liberia, December 2009.

photo tim lewis

Led by Silas Siakor, who is in the centre of the photograph, these local NGOs really hold the key to development issues in countries such as Liberia. They know the ground, the people and have a thorough understanding of what the population need and what they can expect. We spent a week travelling out in the bush filming SDI discussing land tenure rights with forest communities. These communities after suffering nearly fifteen years of civil unrest are beginning to find their way in a country now at peace with itself and SDI are there guiding them along, reacquainting them to simple but vital things such as land ownership. Every village we visited was consumed by excitement and hope. It was an incredible journey.

Fisherman shanty town, Monrovia, Liberia, December 2009

photo tim lewis

A view from the shattered remains of the old Intercontinental Hotel. One goes through a process of heckling the Nigerian peacekeepers who protect the building and lounge around in the old lobby, their equipment spread about them as though they themselves are newly arrived guests awaiting the doormen and staff to carry their gear in through the foyer. After the usual talk and introductions they wave us through the protective cordon and we are free to wander about the vast crumbling emptiness. The war and then as a result the internally displaced have left their mark. The once wealthy and famous no longer come here for an evening meal or a weekend away from work and stresses. The restaurant on the top floor is smashed and broken, a few shining tiles not removed from the concrete flooring preserve the original place where dancers once swayed in front of the band stand. Everything is gutted, pulled from its sockets, broken and smashed in a turmoil of anarchy hard to comprehend now as one gazes across the city, watching the hawks and eagles lazily drift amid the thermals thrown up by the Atlantic.

I climbed a path and from the top looked up-stream towards Chile. I could see the river, glinting and sliding through the bone-white cliffs with strips of emerald cultivation either side. Away from the cliffs was the desert. There was no sound but the wind, whirring through thorns and whistling through dead grass, and no other sign of life but a hawk, and a black beetle easing over white stones.
Bruce Chatwin, ‘In Patagonia’